Tag Archives: art

Making 2017 Better Than 2016. Part 1 : Coming Back From Nowhere.

In very brief summary, 2016 was a poor year.

A look back shows me I didn’t plan sufficiently and didn’t take enough action. I also took my eye off some important things, and spent too much time worrying about things which had passed and/or I had very little/no control over. The lack of control thing will always exist so I need to be and will be more comfortable with that. The rest, I can and will do better at.

I am making changes to my approach, starting with working through ‘How to Have Your Best Year, Every Year’ a workbook by Ann Hawkins. This workbook asks ten questions, the first of which is this:

‘What was your biggest accomplishment last year?’

My work comes from several sources. I’m going to start by acknowledging those sources and grouping accomplishments accordingly. I will then choose what I consider to be the biggest accomplishment of the year from each source.

Direct Sourced Work. Work which I source/attract through my network, and which I am primarily responsible for designing and facilitating, sometimes as part of a bigger event/program.

  • Art for Work’s Sake making it to the finals in the 2016 Learning Awards.
  • Leap Day 2016.
  • My improvised ‘Art of Better Learning’ ignite talk at the CIPD L&D show.
  • Opening the All About People conference in Bournemouth with The Art and Soul of Better Work.
  • Curating the graffiti wall at the Social Age Safari in Bristol.
  • Presenting and facilitating a master’s session at Ohio SHRM.
  • Opening Elmbridge Borough Council Manager’s conference with an art based learning workshop.
  • Facilitating a Leap Day for NHS North West.

Biggest accomplishment : Opening the All About People conference in Bournemouth with The Art and Soul of Better Work.

Why? Having resharpened and adapted my ‘live’ skills earlier on the year at the CIPD L&D show (recovering from misadventure) and at the Social Age Safari (my first time in an artist/curator role), I was given complete creative freedom for this session by Andy Swann, the event organiser. I’ve known Andy for a while, we had the privilege of doing a short European speaking tour together in 2015. There is a high level of trust in our relationship. Andy gave me the space, and the confidence to go all in on this session. This may sound cheesy, but I was at my best, most honest, wholehearted, imperfect self for this adventurous presentation, which combined a 20 minute talk at the start of the event, with a huge piece of cocreated art, made by our guests during the day.

It was an amazing event to be a part of, and led directly to me being invited to do something similar with Elmbridge Borough Council later in the year. This connection shows me that people see something in what I do that resonates with them. I believe I give generously of myself, and that what goes around, comes around. This event and the present and subsequent joy it brought to others and to me, matters. I need to make more people aware of this, and build on it.

Partnering Work. Work which we source/attract through our network, and which I have a role in designing and facilitating, sometimes as part of a bigger event/program.

  • Fringe events at PPMA annual conference with Meg Peppin.
  • Fringe events at CIPD annual conference with Meg, fourth year running.
  • Preliminary design of the Confer product.

Biggest accomplishment : Our fourth year of fringe events at the CIPD annual conference.

Why? Over the past three years, Meg and I have developed an excellent working relationship with Stephen Pobjoy and his team at the CIPD. This coalesced into a highly confident series of fringe events in 2016, which still retained their slightly edgy, experimental feel of previous years. Meg and I worked really well together, and we made great use of the trust the CIPD place in us. This enabled the delivery of some enjoyable, useful work with a creative and gently challenging edge. It’s well worth noting and acknowledging that the work we did at the PPMA conference arose from a positive experience at the 2015 CIPD fringe – so once again, good things are connected. I need to make more people aware of this, and build on it.

Associate work. Work which I do for and on behalf of other legal entities.

  • Becoming a partner at EthosVO and finding a useful and enjoyable role as a member of the People Group, a bit like an HR department, but so much better!
  • Signing an associate agreement with Smith+Co, and supporting a customer experience project with and for a key client.

Biggest accomplishment : Being a part of the EthosVO People Group.

Why? EthosVO is unlike anywhere else I work. It’s a partnership which has “The ability to build multi-stakeholder ecosystems that deliver trust and engagement at the individual level” Whether for customer, citizen, employee. Whether for their work, living or well-being. Building engagement and trustworthiness is the crisis of our current times that needs more attention, leadership and enabling technologies. The People Group, of which I am a member, is a loose approximation of an HR department, though unlike any other I’ve seen. This is partly due to the operating nature of the business and partly due to our desire to experiment with different ways of working.

It’s hard work – we face thorny challenges around recruitment, retention, performance and more. It’s real work too. Sometimes as a freelance consultant it can be hard to stay grounded. Lofty ideas and aspirations are useful and have a place – and they need to knit with the client reality, the day to day grind. Doing this work as part of EthosVO is an enjoyable challenge and gives me something which few freelancers have. I need to make more people aware of this, and build on it.

Artist (Yes. I am an artist)

  • Starting and establishing the We Are All Artists free art project, resulting in over 60 pieces of original art given away at random.
  • Selling over 20 original artworks.
  • Seeing the total donation from my art related work to Arts Emergency, rise over £300.

Biggest accomplishment : The We Are All Artists free art project.

Why? Imagine you could develop a hobby into one of the greatest learning opportunities of your life. An opportunity which would connect you to your community in ways you couldn’t begin to imagine, an opportunity which would see you featured in the local newspaper, see you and your project covered by ITV London Evening News, an opportunity to make new friends, develop your practice, and win a community award. Need I say more?

To conclude part one.

I mistakenly subtitled this section of my plan ‘Coming Back From Nowhere’, that was too harsh. I’m definitely coming back from somewhere. Somewhere interesting, useful, curious, challenging and enjoyable. I’m going to leave the subtitle in to remind me not to be so hasty next time, not to be so down on myself, and to acknowledge and focus more on the good things. Recording this feedback has been enjoyable and useful, it has reminded me that even in a poor year, many excellent things happened. It has also shown me how connected many things are. I need to raise my awareness of this less in review, more in the moment.

More please!

Are These The Right Things?

I am a member of a Facebook group called New Business : Next Steps, run by Ann Hawkins and Ed Goodman, authors of an excellent book by the same name. Ann often bookends our working week with some good questions about what we’d like to achieve, and how we’re getting on.

Lately I’ve been feeling lost, and somewhat withdrawn. These are things that happen from time to time, that’s life, etcetera. I’m no complaining, just acknowledging. When I feel like this, I tend to withdraw from responding to Ann’s questions too. Lately I’ve been nurturing a bias for action, so today, I chose to reply to this prompt from Ann:

Check in Friday: What was the most useful thing you did this week that made a difference to your business?

Here’s how I replied.

  • Wrote 4,000 words towards my book.
  • Asked people in my network for help with some questions to provoke more content for the book.
  • Kicked off plans for a Berlin/London art meets work mini tour.
  • Made a conscious effort to stream my thinking and to do stuff, it’s been far too messy lately.
  • Wrote a farewell email to a group I’ve been working with.
  • Attended the quarterly business review of a partnership I joined a few months ago. Doing this helped me see first hand and in more detail, the exciting work we can do together.
  • Shared a video of my talk about the art and soul of better work from this year’s All About People event.
  • Made what I think is a lovely piece of art for my weekly local free art drop.

Clearly I cheated, this is not the most useful thing I did this week, it is several useful things. Are they the right things? Who knows, and what they are, is evidence that in among the doubt, I am taking action. Thank you for the prompt, Ann.

In case you are interested, here is the art work I mentioned, and the video of the Art and Soul of Better Work talk.

Winged Heart II

Have a lovely weekend.

 

The Art of The Possible : Working Out Loud

A story about showing your work, adapting your work, and being open to the possibilities.

I recently wrote about the art of the possible, and how analog tools (pencils, paintbrushes etc) still have powerful relevance in a digital world. I wasn’t suggesting that one is somehow better than the other, rather that both matter. An analog, artistic inquiry of our work can be a very powerful thing. Equally, lots of the work I love to do is generated through connections initially made online, and then nurtured in real life, and the idea of working out loud, something I love to practice, is made simpler thanks to the digital spaces we inhabit. Analog and digital. Both matter.

Last year, my friend Neil Usher kindly agreed to give me some feedback when I was compiling some information about my work to share with people interested in hiring me. Part of this work was a series of visual images, which I gathered together using the haikudeck presentation tool.


What Goes Around – Principles of Work 

The simplicity of the deck worked well enough, and Neil suggested that I could make it stand out more by creating another version. ‘Use your own stuff – not stock photo type images’, Neil offered. I took the idea on board and began what became a long process of drawing, tracing, and colouring my own version of the slides.

Though the general idea remains the same – there is a big difference between the two pieces of work. The second one is better. It’s me, showing my work, and what you can expect of me. I’m grateful to Neil for the suggestion.

I figured that was it. The work was done, things move on, and I was wrong. Crystal Miller, another friend in my network spotted my hand made slides and asked if I would consider drawing a set for one of her clients, who was seeking a visual representation for some values/principles. We talked, agreed the creative basis of the project, and some general terms, then I got on with it. Part of the deal was that I could represent these ideas as I saw fit. At first, I struggled to get going with such an open remit. Would the work be liked? That question quickly took me to all the usual ‘I’m not good enough’ places we experience, particularly when doing something new. My client was very supportive and though I wobbled a few times – the work began to flow. In time, a series of 16 images emerged.

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I learned a lot from this process. Some days the pens moved freely, some days not. At times when I got stuck, I asked for help, and I got it. Ideas, nudges, confidence – many things came from asking. At times I practiced the art of ‘it’s good enough, move on’. And at times, I redid images completely. Trying to balance satisfaction with deadlines can become an interesting tangle, and what emerged is a body of work the client is really pleased with. So am I.

Importantly, if I hadn’t responded to Neil’s suggestion, if I hadn’t been open to the possibilities, and if I hadn’t worked out loud, we wouldn’t be looking at these pictures now. And if I can work like this, you can too.